Where to watch
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Streaming data from JustWatch
Arthur and the Invisibles
MEANRANK
57/100
Where it ranks
- Mean Score #613
- IMDb #514
- Google retired #339
- Rotten Tomatoes #469
- Metacritic #399
- Letterboxd #519
+9 more
- Rotten Tomatoes Critics #499
- Rotten Tomatoes Audience #406
- Metacritic Critics #371
- Metacritic Audience #389
- Criticker #321
- Douban #182
- Kinopoisk #468
- AlloCiné #462
- Trakt #439
Every rating
Split
Lowest is Rotten Tomatoes critics on 21, highest is Google on 86. Critics average 30, everyone else 62.
See the films the platforms disagree about most →To save his grandmother's house from being repossessed, a young boy embarks on a quest to find a hidden treasure. His adventure leads him to a miniature world beneath the garden, inhabited by tiny creatures called the Minimoys. He is transformed into one of them and joins their struggle against a malevolent force, hoping his journey will lead him to the riches needed to solve his family's problems.
Details
- Director
- Luc Besson
- Writers
- Céline Garcia, Luc Besson
- Based on
- Arthur and the Forbidden City by Luc Besson
- Released
- 13 December 2006
- Country
- France, United Kingdom, United States
- Language
- French
- Runtime
- 94 min
- Rated
- PG
- Budget
- $86.0M
- Box office
- $108.6M
This title elsewhere
Cast
Full cast (34) →
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Beyond the numbers
All lists →
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Twenty-five stored user scores. Small tallies stay visible, ties stay ties, and the recommendations concern the comedy rather than voter stereotypes.
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Highest-rated sitcoms on Metacritic: the stored critic scores
Twenty-five Metascores from the catalogue, with review counts and a clear distinction between a season, a whole series and an approval percentage.
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The highest-rated sitcoms on Rotten Tomatoes: twenty-five critic favourites
The saved Tomatometer scores, what their ties conceal, and the comedy each show actually offers.
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The highest-rated sitcoms on IMDb: twenty-five saved favourites
The ratings in their own units, the ties that matter, and a practical guide to choosing among very different comedies.
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Sitcoms with higher recorded critic scores than audience scores
Fifteen comedies whose stored measures lean towards the critic side, from The Larry Sanders Show to Detectorists. Lower does not mean disliked.
