Where to watch
Each link opens a search on that service. Checked 13 October 2026.
Streaming data from JustWatch
The Overnight
MEANRANK
63/100
Every rating
Split
Lowest is AlloCiné on 50, highest is Rotten Tomatoes critics on 83. Critics average 74, everyone else 59.
See the films the platforms disagree about most →A young couple new to Los Angeles has a chance playground meeting with an eccentric and charismatic father. He invites them to his home for a family pizza night, which gradually evolves into a strange and revealing evening. As the night progresses and the children are put to bed, the gathering takes increasingly surreal turns, challenging the couple's boundaries and perceptions of themselves.
Details
- Director
- Patrick Brice
- Writer
- Patrick Brice
- Released
- 19 June 2015
- Country
- United States
- Language
- English
- Runtime
- 79 min
- Rated
- R
- Box office
- $1.1M
This title elsewhere
Cast
Full cast (11) →
Beyond the numbers
All lists →
29 October 2026
TV shows with Black female leads: four series worth arguing about
Insecure, Queen Sugar, Scandal and How to Get Away with Murder, ranked for character writing, dramatic range and the lives they make room for.
29 October 2026
Five great TV scores—and the scenes that explain why
Twin Peaks, Succession, Game of Thrones, Westworld and Stranger Things, judged for what their original music does inside the drama.
8 October 2026
Leonardo DiCaprio's films, ranked—and the performances inside them
Twenty-one selected films, with a closer look at the acting: comic timing, self-invention, wounded authority and the effort that sometimes shows.
8 October 2026
TV's best male friendships, ranked: affection, loyalty and their limits
Ten pairs whose relationships change the work, the jokes and the choices their shows make possible.
8 October 2026
Batman movies ranked: the films behind the scores
Twelve theatrical films, from Adam West to Robert Pattinson, and the different claims they make for the mask.
7 October 2026
Why do films and TV shows keep taking God’s name in vain?
A Christian viewer’s objection, the Marvel language notes and the difference between portraying doubt and treating a name as disposable.
